Jen and Julia Yonetani’s The last supper, a nine-metre table made of over one tonne of groundwater salt sourced from the Murray-Darling Basin featuring a variety of foodstuffs in the form of an exquisite banquet. ‘Here salt is a metaphor for the death of the land, sacrificed in the production and consumption of what has become The last supper,’ explain the artists. #nga #contemporaryart #canberra #salt #art #yonetani #murraybasin
Nga Contemporary
Ken + Julia Yonetani’s NGA installation is a provocative response to the Fukushima Daiichi nuclear power plant accident. In an installation of chandeliers reconfigured to emanate UV light, and decorated with specially sourced uranium glass, each chandelier represents a country that operates nuclear power stations and is of a scale relative to that country’s nuclear output. It is work that is aesthetically astounding, accessible and engaging. Uranium glass contains very small traces of uranium within the glass, is legal and poses no health risks. ‘You can’t see, smell or perceive radiation with your senses, but it becomes visible in our works when illuminated with ultraviolet lights,’ say the artists. ‘Presented in darkness, the glass chandeliers and tubes glow with an eerie bright green light indicating the presence of radiation. We hope to prompt viewers to react in their own way to this radioactive presence.’ #nga #yonetani #chandelier #uranium #art #fukushima #nuclear
Nga Contemporary
Reduce, Reuse, Recycle, Refuse, Respect, Recover, Renew, Repair
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